Given Australia's status as an (unfinished) colonial project of the British Empire, the basic institutions that were installed in its so-called 'empty' landscape derive from a value-laden framework borne out of industrialization, colonialism, the consolidation of the national statist system and democracy - all entities imbued with British Enlightenment principles and thinking. Modernity in Australia has thus been constituted by the importation, assumption and triumph of the Western mind - materially, psychologically, culturally, socio-legally and cartographically. 'Inside Australian Culture: Legacies of Enlightenment Values' offers a critical intervention into the continuing effects of colonization in Australia and the structures it brought, which still inform and dominate its public culture. Through a careful analysis of three disparate but significant moments in Australian history, the authors investigate the way the British Enlightenment continues to dominate contemporary Australian thinking and values. Employing the lens of Indian cultural theorist Ashis Nandy, the authors argue for an Australian public culture that is profoundly conscious of its assumptions, history and limitations.

What is the nation? What is the idea of India? Whose India is it, anyway? This inaugural volume in the series titled Rethinking India aims to kickstart a national dialogue on the key questions of our times. It brings together India's foremost intellectuals, academics, activists, technocrats, professionals and policymakers to offer an in-depth exploration of these issues, deriving from their long-standing work, experience and unflinching commitment to the collective idea of India, of who we can and ought to be. Vision for a Nation: Paths and Perspectives champions a plural, inclusive, just, equitable and prosperous India, committed to individual dignity as the foundation of the unity and vibrancy of the nation. In order to further disseminate these ideas-the vision for the nation as aspirationally reflected in the Constitution-this book provides a positive counter-narrative to reclaim the centrality of a progressive, deeply plural and forward-looking and inclusive India. It serves as a fresh reminder of our shared and shareable overlapping values and principles, and collective heritage and resources. The essays in the book are meaningful to anyone with an interest in contemporary Indian politics, South Asian studies, modern Indian history, law, sociology, media and journalism.

The word barbarian is derived from the Greek term 'barbaroi' - or one who cannot speak Greek. As the Greeks believed that language was the tool of reason, non-Greek speakers, therefore, were considered devoid of the facility to reason or to act according to logic. This concept of barbarism in turn shaped the early anthropological observations of Columbus and the first European visitors to the Americas. Barbaric Others examines the convenient myopia which through the ages has allowed - and continues to allow - the West to see other peoples as 'barbarians', infidels, even savages'. In the book, the authors present a succinct history of racism, xenophobia and the concept of 'otherness' from ancient Greece to the present day. Topics covered include the representation of the other' in mythology, the mediaeval fascination with demons and the idea of the wild man, a critical overview of Columbus and 15th century exploration and the 'other' as colonial subject.

This book deals with an important and too-often ignored area of cultural studies. To examine the enormous industry of Indian popular cinema is to study Indian modernity at its very rawest. The questions and perspectives this book presents provoke a thinking of cinema that is political in the widest sense - from cinemas importance in ideas of nation and national cultural formation to psycho-social perspectives on identity, class and gender.
The contributors deal with a range of themes from the metaphor of the slum as a defining cultural phenomenon to personal reflections on the political meanings and strategies of South Asian film, from Tamil blockbusters to the intrinsic ineffectivity of TV as a propagator of state ideology. Whilst the book is essential reading for students and academics of film, media and of South Asian studies. It will also fascinate anyone with an interest in the genuinely global phenomenon of South Asian cinema.

In this collection of essays, Ashis Nandy uses the metaphor of the future -- imagined utopias, conceptions of cultural possibilities, social critiques of things to come - to redefine the present. Nandy's effort is to demonstrate that, in a world increasingly dominated by a narrow range of ideologies, one must affirm that social ethics and a more humane society can be based on grounds other than those framed for the past 200 years by political and psychological forces that have tried to flatten and homogenize the world and reduce the possibility of diverse futures. Nandy critiques the Enlightenment and the limited ideas of 'reason, ' 'progress' and 'development' given shape in Europe. He insists that we own up to our responsibility for alternative systems of knowledge at points in time 'when human beings turn emancipatory ideas, ideologies, and categories into new tools of violence and oppression.'